Line engraving not suited unless tones are solid, showing no gradation.

Halftone is uniuited. as it "breaks up" the solid black lines and areas.

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If technique is bold, coanc screen can be used.

If later to be duplicated by electro, stereo, or mat. specify when the original plate is made.

Dry Brush. .Vir Brush. Wash Drawing.

Walrr Color or Oil P.ainting to reproduce in Black-and White.

Combination Line and "Flat" lones (i.e.. tones which Ikixc no >^adalinn of v.ilur)

Print from "Dry Point" or .\cid-Bilten Etching.

l'hoirif>rjpli. Photo-Montage.

Oilored Drawings. Water Oilor .ind Oil Painting. Colored Photos, Crayon or Pastel Drawing (to be reproduced in color).

Drawint^ ol more than one fo|f>r. ii*in(; solid color ;irras or sli.i(ling\ done with lin<^ or lion

Highlight or regular finescreen coppr) hdlllont if to Im' um'cI on smooth paper: co.irv'-Mrecn halftone if on Mt-wsprini.

Highlight or regular finescreen ( tipper hnlflotir if to bo iiscti on smo<iih paper; coarsc-strcen halfloiir if on newsprint.

Line engrailing used with Ben Day. or other shading medium for flat toned areas

Line engraving will not reproduce tone values.

Where lines and tone etlects (as in meMOlint) :ire fine, use a fine-xrreen nipper halflone.

Halflone: Coarse screens for rough papers: fine screens on copper for smooth papers.

Two-, three-, four-, five-, etc., color process, dejiending upon ttature of copy and fineness of work required.

line engraviiif^i for caih of the 2. J. or more colors will produce a grc.ii variety of tones by overprinting of areas, either solid or shaded to different decrees